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Man Booker Prize 2018 Shortlist

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October 11, 2018
Man Booker Prize 2018 Shortlist Book Cover Man Booker Prize 2018 Shortlist
Peter Donnelly
The Reading Desk
16 October 2018

The Man Booker Prize was established in 1969. The winner receives £50,000 as well as the £2,500 awarded to each of the shortlisted authors. Both the winner and the shortlisted authors are guaranteed a worldwide readership plus an increase in book sales.

An Overview of the 6 Books Shortlisted

Milkman – Anna Burns

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes ‘interesting’. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.

Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

 

Washington Black – Esi Edugyan

When two English brothers take the helm of a Barbados sugar plantation, Washington Black – an eleven-year-old field slave – finds himself selected as a personal servant to one of these men. The eccentric Christopher ‘Titch’ Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him.

Titch’s idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape the island together, but then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible.

From the blistering cane fields of Barbados to the icy wastes of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness and mystery of life. Inspired by a true story, Washington Black is the extraordinary tale of a world destroyed and made whole again.

 

Everything Under – Daisy Johnson

Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of sixteen, though – almost a lifetime ago – and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature.

A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water – a canal thief? – swimming upstream, getting ever closer. In the end, there will be nothing for Gretel to do but go back.

Daisy Johnson’s debut novel turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, Everything Under is a story of family and identity, of fate, language, love and belonging that leaves you unsettled and unstrung.

 

The Mars Room – Rachel Kushner

Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women’s Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And her seven-year-old son, Jackson, now in the care of Romy’s estranged mother.

Inside is a new reality to adapt to: thousands of women hustling for the bare essentials needed to survive. The deadpan absurdities of institutional living, which Kushner details with humour and precision. Daily acts of violence by guards and prisoners alike. Allegiances formed over liquor brewed in socks, and stories shared through sewage pipes.

Romy sees the future stretch out ahead of her in a long, unwavering line – until news from outside brings a ferocious urgency to her existence, challenging her to escape her own destiny and culminating in a climax of almost unbearable intensity. Through Romy – and through a cast of astonishing characters populating The Mars Room – Rachel Kushner presents not just a bold and unsentimental panorama of life on the margins of contemporary America, but an excoriating attack on the prison-industrial complex.

 

The Overstory – Richard Powers

The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond:

An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan.
An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut.
A hard-partying undergraduate in the late 1980s electrocutes herself, dies and is sent back into life by creatures of air and light.
A hearing- and speech-impaired scientist discovers that trees are communicating with one another.

These four, and five other strangers – each summoned in different ways by trees – are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest.

There is a world alongside ours – vast, slow, interconnected, resourceful, magnificently inventive and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.

 

The Long Take – Robin Robertson

noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable – and unclassifiable – books of recent years.

Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish. The Dream had gone sour but – as those dark, classic movies made clear – the country needed outsiders to study and dramatise its new anxieties.

While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it – yet resolved to find kindness again, in the world and in himself.

Watching beauty and disintegration through the lens of the film camera and the eye of the poet, Robin Robertson’s The Long Take is a work of thrilling originality.

 

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Peter Donnelly
Ireland

Founder of The Reading Desk, supporting readers, authors, publishers and book industry. Top Reviewer on Amazon, Goodreads, and NetGalley peter@thereadingdesk.com

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